Antelope just released their new flagship audio interface which offers truly stunning connectivity, flexibility, and technical specs.
Sporting 64 channels of Mini-DigiLink connectivity for Pro Tools HDX and HD Native, Goliath HD comes with Thunderbolt 2, USB 3, MADI, AES/EBU, ADAT, SPDIF, analog line in/out, 4 Hi-Z inputs, 2 ReAmp outs and 16ch of Mic Pres. Basically this box has everything except the kitchen sink and espresso machine.
Also included are FPGA based plug-ins which can be used for tracking and mixing, configuration software running on DAW host machine, wireless app for remote control and touch screen for intuitive user interface.
Analog Inputs
– 2 DB25 (16 channels total)
– 16 Mic / Line on XLR combos
– 4 Hi-Z 1/4″” TRS
– 2 Inserts on 1/4″ TRS
Analog Outputs
– 4 DB25 (32 channels total)
– 1 Stereo pair of Monitor outs on 1/4″” TRS
– 2 Stereo Headphone outs on 1/4″” TRS
– 2 ReAmp outs on 1/4” TRS
D/A Monitor Converter: Dynamic Range: 132dB, THD + N: -108dB
A/D Converter Dynamic Range: 124 dB, THD + N: -112 dB
D/A Converters Dynamic Range: 129 dB, THD + N: -120 dB
Mic Preamps Gain: 0,10 – 65 dB, THD + N: -112 dB
Digital I/O
– 2 ADAT (up to 16 channels)
– 1 S/PDIF
– 1 AES/EBU (8 channels)
– 2 MADI
– USB 3.0 Super-Speed, Type B connector
– Thunderbolt Gen2
– 2 Mini-DigiLink connectors for direct Pro Tools HDX/HDN connection, 32 Channels I/O each (total of 64 channels)
Clocking
– 1 Word Clock in, 2 Word Clock out
– 1 Atomic Clock Input
– 4th Generation Acoustically Focused Clocking, 64-bit DDS, Oven Controlled Crystal Oscillator
Contact us for more info.
