Pro Tools HD Easily import audio and MIDI files and loops for rapid song construction. Take advantage of an unmatched range of unique, non-destructive editing tools for groove creation, dialog replacement, Foley, and more. Choose among a wide-range of instrument and effects plug-ins for creative song development and sound design. Even experiment freely with different arrangements on the fly all non-destructively. Features - World-class audio editing features - Advanced import functionality - Powerful, intuitive MIDI sequencing - Advanced virtual instrument integration - TrackPunch functionality - Beat Detective groove analysis and correction - Realtime Elastic Time and Elastic Pitch correction - Full-featured, integrated DigiBase Pro file management utility - Capture video directly in the timeline with Avid Mojo and Avid Mojo SDI and AVoption|V10 - Video Satellite and Video Satellite LE options for Quicktime and Avid video offloading - Satellite Link for synchronizing multiple Pro Tools HD systems - Compatible with a wide-range of third-party creative software options (Audiosuite, RTAS and TDM plug-ins, ReWire-compatible applications) - Extended control and functionality with the ICON integrated console Pro Tools HD in the recording phase of production - Superior sound quality up to 24 Bit / 192 kHz - Virtually no latency even with real-time processing - Individual cue mixes for performers - Non destructive AFL/PFL solo - Recallable custom mixer session templates - Inline console mode for ICON D-Control systems Pro Tools HD software - mixing power and flexibility - 192 audio tracks, 10 inserts and 10 sends per track, 128 internal busses - 160 aux inputs, 256 MIDI tracks, 128 instrument tracks - Ultimate flexible mixing architecture - Dedicated and expandable DSP power together with CPU processing power - Advanced automation modes and functionality - True 48-bit mix bus - Automatic Delay Compensation - Wide-range of professional third-party processing options - From mono to 7.1 surround mixing with multiple formats simultaneously - Powerful synchronization features - Advanced ICON console worksurface options with the familiar feel of traditional mixing consoles
Avid HD Native Key benefits - Create bigger sessions with up to 192 audio tracks and up to 64 channels of I/O using a single PCIe card - Record, edit, and mix with ease using Pro Tools HD software - Attain the highest performance and lowest latency of any native digital audio workstation - Get the ideal tracking experience and set-and-forget direct monitoring with an integrated low-latency monitor - Achieve ultimate audio quality with a Pro Tools HD Series interface - Boost your capabilities with advanced automation, surround mixing, input monitoring, AFL/PFL solo, destructive punch, and other professional features - Get better sounding mixes with RTAS plug-ins and Automatic Delay Compensation on hardware and software inserts - Share sessions with Pro Tools|HD users without any loss of data - Synchronize to timecode and video reference, with frame-edge accuracy, when using SYNC HD - Get the ultimate hands-on control over your mixes using ICON or C|24 control surfaces - Total flexibility - work with Mac or Windows, Pro Tools HD or third-party software Features - 64 Maximum Channels of I/O - 192 / 96 / 36 Maximum Audio Tracks @ 48 kHz / 96 kHz / 192 kHz - 96 / 48 / 18 Maximum Stereo Audio Tracks @ 48 / 96 / 192 kHz - 192 Simultaneous Record Tracks - 128 Total Instrument Tracks - 256 Total MIDI Tracks - 160 Total Auxiliary Tracks - 128 Total VCA Tracks - 64 Total Master Tracks - 1 PCIe host card - 64-bit floating point mixer resolution - 32-bit floating point processing resolution - 64 ASIO/Core I/O Audio Streams - RTAS, AudioSuite - Surround Mixer - Automatic Delay Compensation - supported interfaces HD I/O, OMNI, MADI, MIDI I/O, PRE, SYNC HD, 96 & 96i I/O, 192 & 192 Digital I/O - support for C|24, ICON D-Command, D-Control, Third-Party - Interplay and Unity (Windows only) - Video Satellite and Video Satellite LE - Remote Control - Support for MachineControl and Satellite Link more info
Avid HD I/O I/Os on cards (HD I/O 8x8x8): - 8 channels of pristine-quality analog I/O (DB-25) - 8 channels of AES/EBU I/O (DB-25) - 8 channels of TDIF I/O (DB-25) - 16 channels of ADAT I/O (S/MUX II and IV) I/Os on cards (HD I/O 16x16 Analog): - 16 channels of pristine-quality analog I/O (DB-25) I/Os on cards (HD I/O 16x16 Digital): - 16 channels of AES/EBU I/O (DB-25) (192 kHz single-wire and dual-wire) - 16 channels of TDIF I/O (DB-25) - 16 channels of ADAT I/O (S/MUX II and IV) Additional Digital I/Os on chassis (all configurations): - 2 channels of AES/EBU - 2 channels of S/PDIF I/O - Word (1x) and Slave Clock (256x) input/output Features - 50 possible inputs and outputs - Supports up to 16 simultaneous channels of high-definition I/O - Card option bay for analog or digital I/O expansion with AD, DA, or Digital cards - State-of-the-art low latency 24-bit/192 kHz A/D and D/A conversion - Switchable, real-time sample rate conversion on digital inputs on the Digital card - Curv, the new built-in soft-knee limiter that allows higher levels to disk for punchier, hotter recordings - Expansion Port to connect another HD interface, including previous generation HD interfaces more info
Avid HD OMNI Features - ultra low latency state-of-the-art A/D and D/A conversion - 2 premium, digitally-controlled mic/DI preamps - 4 line inputs - 8 line outputs, with true analog gain - versatile digital I/O, with sample rate conversion - 8 channels of ADAT I/O (supports S/MUX II and IV) - 2x8 channels of AES/EBU I/O - 2 channels of S/PDIF I/O - complete integration with Pro Tools|HD for full routing, mixing, and monitoring control - persistent and customizable 14X26 pass-through mixer, without Pro Tools running - built-in Curv soft-knee limiter - stereo to 7.1 surround monitoring - main and alt speaker output selector - dedicated cue path more info
Avid HD MADI Features - send and receive up to 64 audio streams - up to 24-bit, 192 kHz sample rate support - 2 MADI inputs (optical and coaxial) - 2 MADI outputs (simultaneous optical and coaxial) - built-in sample rate conversion on all I/O channels - complete integratation with Pro Tools|HD for full input, output, and routing control - sync to an external clock via BNC Word Clock and XLR AES/EBU connections when using SRC on output - sync through Internal, Loop Sync, Word Clock, AES/EBU, and MADI - 64-channel non-Varispeed and 56-channel Varispeed support (at 48 kHz) - integrate Pro Tools|HD with MADI-equipped VENUE systems for recording and Virtual Soundcheck - verify and troubleshoot signals through status indicators and global I/O signal LEDs - compact 1U rack-mountable design - Pro Tools|HD connection through two DigiLink Mini connections (32 audio channels each) more info
Avid SYNC HD Features - High-fidelity, low-jitter master clock - Near sample-accurate lock to timecode or bi-phase signals - Word Clock I/O up to 192 kHz capable - Supports all major industry-standard clock sources and timecode formats - Supports SD and HD video reference input (tri-level sync) up to 1080p / 60 fps - Supports standard pull-up/pull-down rates for film/video - Video input with timecode window inserter more info
Avid PRE - 8 high-performance, discrete, matched-transistor hybrid microphone pre-amplification circuits - Support for mic (XLR), direct instrument (DI), and line level inputs (1/4") on all 8 channels - Each channel includes a high pass filter, phase reverse, 48V (phantom power), and -18 dB pad - Fully remote-controllable via Pro Tools software and Avid control surfaces - Allows for the highest fidelity by keeping low-level signals close to the source - Selectable impedance matching for mic, line, or instrument inputs - MIDI IN/OUT/THRU ports for remote operation - All features supported in stand-alone mode, making PRE an ideal analog front end for any recording system Input Stage - Circuit Topology: Discrete Matched Transistor Hybrid - Input Gain: 0 dB to +69 dB in ~3 dB steps, with -18 dB pad engaged; -18 dB to +51 dB - Maximum Input Level: +47 dBu, pad in, @ 1 kHz, < 0.1% THD - Mic E.I.N (unweighted): -128 dB @ 66 dB gain (20Hz - 20kHz) 150 ohm - THD+N: < 0.0005% @ 1kHz, 0dB gain @ 20dB signal; < 0.001% (20Hz - 20kHz), 0dB gain @ 0dB signal - CMMRR: < -75 dB @ 1 kHz, 140 mVcm, +6 dB gain - Crosstalk: < -90 dB (20 Hz - 20 kHz) - Frequency Response: ±0.1 dB; 20Hz - 20kHz, @ +48 dB gain - Input Impedance (Input Z): 1.5 kohm (low); 15 kohm (mid); 1.5 Mohm (high) - Phantom Power: 48V +/- 1V - High Pass Filter: -3 dB @ 85 Hz, 18 dB/octave - Maximum Output Level: +29 dBu, balanced, @ 1 kHz, < 0.1% THD Output Stage - Maximum Output: +26 dBu, balanced; 600 ohms, DC-coupled - Output Impedance: ~50 ohms - Nominal Level: +4 dBu - Trim level: -10 dB - Remote Mode: MIDI, IN/OUT/THRU more info
C|24 The bright, easy-to-read, dual-row LED scribble strips provide instant visual feedback for channel names, plug-in parameters, sends, panning, and other editing functions.  Mics, instruments, and line-level devices can be connected directly to the 16 high-quality, low-noise mic/line/DI preamps, which feature high-pass filters and variable input gain. The control surface also features an 8 x 2 stereo line submixer, which can be routed directly to the integrated 5.1 surround analog monitor section, which offers trimmable inputs and outputs. The built-in talkback mic and remote talkback and listenback inputs make it easy to set up two-way communication for your recording sessions. The control surface features an intelligent switch layout with bold graphics, making the layout easy to memorize and navigate, and a comfortable front bolster. And the low-profile meterbridge allows for better placement of your computer monitor and speakers.
Command|8 Features - Supports both Pro Tools TDM and LE systems (independently) - Simple USB connection to your PC or Mac - Compact size, comfortable ergonomic layout - 8 touch sensitive motorized faders, 8 automatable rotary encoders with LED rings - Big, bright, 110-character (55 characters x 2 rows) backlit LCD display for easily viewing information - Integrated 1-IN/2-OUT MIDI interface (16 channel in, 32 out) - Standalone MIDI controller mode - Flexible Focusrite onboard monitoring section - Works natively with the Avid family of products Automation Gain Tool - May be used in conjunction with ProControl, Control|24, and Digi 002 more info
192 I/O (discontinued August 2010) I/Os on cards: - 8 channels of pristine-quality analog I/O (DB-25) - 8 channels of AES/EBU I/O (DB-25) - 8 channels of TDIF I/O (DB-25) - 16 channels of ADAT I/O Digital I/Os on chassis: - 2 channels of AES/EBU - 2 channels of S/PDIF I/O - Word (1x) and Slave Clock (256x) input/output Features - 50 possible inputs and outputs - Supports up to 16 simultaneous channels of high-definition I/O - Card option bay for analog or digital I/O expansion with 192 AD, 192 DA, or 192 Digital cards - World-class 24-bit/192 kHz A/D and D/A conversion - Switchable, real-time sample rate conversion on digital inputs on the 192 Digital card - Soft-Clip Limiter that allows higher levels to disk for punchier, hotter recordings - Expansion Port that allows for direct connection of another 192 I/O or 96 I/O - Legacy Peripheral port for connection of 888|24, 882|20, 1622, or 24-Bit ADAT Bridge I/Os at 48 kHz
192 AD Expansion Card (discontinued August 2010) - Sample Rate: 44.1, 48, 88.2, 96, 176.4, 192 kHz ±10% - Dynamic Range: 120 dB (A-weighted), 118 dB (unweighted) - THD+N: 0.00035% (-109 dB); +21 dBu @ 997 Hz - THD+N: 0.00035% (-109 dB); +21 dBu, 20 Hz 20 kHz - Frequency Response: ±0.05 dB @ +2 dBu, 20 Hz 20 kHz
192 DA Expansion Card (discontinued August 2010) - Sample Rate: 44.1, 48, 88.2, 96, 176.4, 192 kHz ±10% - Dynamic Range: 118 dB (A-weighted), 115 dB (unweighted) - THD+N: 0.00056% (-105 dB); -1 ' @ 997 Hz - Frequency Response: ±0.05 dB, -20 ', 20 Hz 20 kHz - Sample Rate = 48 kHz, Noise BW = 22 Hz 20 kHz unless otherwise noted, Tambient = +25 C
192 Digital Expansion Card (discontinued August 2010)
192 Digital I/O (discontinued August 2010) - Up to 16 simultaneous channels of AES/EBU I/O at 96 kHz - Up to 8 simultaneous channels of AES/EBU I/O at 192 kHz - 16 channels of AES/EBU, TDIF, ADAT I/O - 2 additional channels of AES/EBU or S/PDIF digital I/O - 8 additional channels of ADAT optical or 2 channels of optical S/PDIF I/O - Switchable, real-time sample rate conversion on digital inputs - Word (1x) and Slave Clock (256x) input/output - Expansion Port for direct connection of another 192 Digital I/O, 192 I/O or 96 I/O - Legacy Peripheral Port for connection of 888|24, 882|20, 1622, or 24-Bit ADAT Bridge I/Os at 48 kHz or lower sample rate
96 I/O (discontinued August 2010) - Supports up to 16 channels of high definition I/O - High-quality audio performance at a new, low price point - 8 channels of 24-bit/96 kHz analog I/O (TRS) - 8 channels of ADAT optical I/O (TOS-Link) - 1 AES/EBU I/O pair (XLR) - 1 S/PDIF I/O pair (RCA) - Expansion Port that allows for direct connection of another 96 I/O - Legacy Peripheral port that allows for connection of 888|24, 882|20, 1622, and 24-Bit ADAT Bridge I/Os at 48 kHz or lower sample rate A/D - Sample Rate: 44.1, 48, 88.2, 96 kHz ±10% - Dynamic Range: 115 dB (A-weighted), 112 dB (unweighted); see Notes 1 and 4 - THD+N: 0.0007% (103 dB); +17 dBu @ 997 Hz; see Note 1 - Frequency Response: ±0.05 dB @ 2 dBu, 20 Hz 20 kHz; see Notes 1 and 2 D/A - Sample Rate: 44.1, 48, 88.2, 96 kHz ±10% - Dynamic Range: 114 dB (A-weighted), 112 dB (unweighted); see Notes 1 and 3 - THD+N: 0.0013% (97 dB); 1 dBFS @ 997 Hz; see Note 1 - Frequency Response: +0.1/0.2 dB; 20 dBFS, 20 Hz 20 kHz; see Notes 1 and 2 - Sample Rate = 48 kHz, Noise BW = 22 Hz 20 kHz unless otherwise noted, Tambient = +25 C
96i I/O (discontinued August 2010) - High-quality, 2U I/O device for instruments and effects gear - 24-bit balanced TRS connections: 16 analog inputs, 2 analog outputs - Two channels of 24-bit S/PDIF I/O (RCA connection) - Supports sample rates up to 96 kHz - Digidesign 96 I/O-quality converters - Software-adjustable level controls for inputs (six-step for inputs 1-4, two-step for inputs 5-16); outputs software-switchable between +4 dBu and 10 dBV - 108 dB or greater dynamic range - Support for balanced and unbalanced connections - Front-panel LEDs for input and output metering - Multiple units provide up to 96 discrete inputs - Compatible with Pro Tools|HD cards and peripherals A/D - Sample Rate: 44.1, 48, 88.2, 96 kHz ±10% - Dynamic Range: 111 dB (A-weighted), 108 dB (unweighted); see Notes 1 and 4 - THD+N: 0.0008% / 0.0013% (-102 dB / -98 dB); +5 dBV/+17 dBu; see Note 5 - Frequency Response: Response: +0.1 / -0.2 dB @ -2 dBu, 20 Hz 20 kHz; see Notes 1 and 2 - Differential Input Impedance: >25 kohms D/A - Sample Rate: 44.1, 48, 88.2, 96 kHz ±10% - Dynamic Range: 113 dB (A-weighted), 111 dB (unweighted); see Notes 1 and 3 - THD+N: 0.003%/0.003% (-90 dB / -90 dB); -1 dBFS @ 997 Hz; see Note 6 - Frequency Response: +0.1 / -0.4 dB; -20 dBFS, 20 Hz 20 kHz; see Notes 1 and 2 - Differential Output Impedance: 50 ohms (typical)
PRE (discontinued August 2010) - 8 high-performance, discrete, matched-transistor hybrid microphone pre-amplification circuits - Support for mic (XLR), direct instrument (DI), and line level inputs (1/4") on all 8 channels - Each channel includes a high pass filter, phase reverse, 48V (phantom power), and -18 dB pad - Fully remote-controllable via Pro Tools software and Digidesign control surfaces - Allows for the highest fidelity by keeping low-level signals close to the source - Selectable impedance matching for mic, line, or instrument inputs - MIDI IN/OUT/THRU ports for remote operation - All features supported in stand-alone mode, making PRE an ideal analog front end for any recording system Input Stage - Circuit Topology: Discrete Matched Transistor Hybrid - Input Gain: 0 dB to +69 dB in ~3 dB steps, with -18 dB pad engaged; -18 dB to +51 dB - Maximum Input Level: +47 dBu, pad in, @ 1 kHz, < 0.1% THD - Mic E.I.N (unweighted): -128 dB @ 66 dB gain (20Hz - 20kHz) 150 ohm - THD+N: < 0.0005% @ 1kHz, 0dB gain @ 20dB signal; < 0.001% (20Hz - 20kHz), 0dB gain @ 0dB signal - CMMRR: < -75 dB @ 1 kHz, 140 mVcm, +6 dB gain - Crosstalk: < -90 dB (20 Hz - 20 kHz) - Frequency Response: ±0.1 dB; 20Hz - 20kHz, @ +48 dB gain - Input Impedance (Input Z): 1.5 kohm (low); 15 kohm (mid); 1.5 Mohm (high) - Phantom Power: 48V +/- 1V - High Pass Filter: -3 dB @ 85 Hz, 18 dB/octave - Maximum Output Level: +29 dBu, balanced, @ 1 kHz, < 0.1% THD Output Stage - Maximum Output: +26 dBu, balanced; 600 ohms, DC-coupled - Output Impedance: ~50 ohms - Nominal Level: +4 dBu - Trim level: -10 dB - Remote Mode: MIDI, IN/OUT/THRU
SYNC HD - (discontinued August 2010) Features - High-fidelity, low-jitter master clock - Near sample-accurate lock to timecode or bi-phase signals - Word Clock I/O up to 192 kHz capable - Supports all major industry-standard clock sources and timecode formats - Supports SD and HD video reference input (tri-level sync) up to 1080p / 60 fps - Supports standard pull-up/pull-down rates for film/video - Video input with timecode window inserter
MIDI I/O (discontinued) - 10 MIDI I/O ports, supporting 160 MIDI channels - Support for connecting up to 4 MIDI I/O peripherals for a total of 40 ports - Support for Digidesign Time-Stamping - USB-powered connection - Full OMS compatibility - Hardware Thru Mode patches input 1 to all outputs - Stand-alone operation with Hardware Thru Mode - Output ports 9 and 10 mirrored on front and rear panel - Sturdy, full-depth metal chassis
SYNC I/O (discontinued, replaced by SYNC HD) - Next-generation, high-fidelity, low-jitter clock design - Near sample-accurate lock to time code or bi-phase signals - Word Clock I/O up to 192-kHz - AES/EBU clock I/O, video reference in/thru, video program in/out - Supports all major industry-standard clock sources and time code formats - Supports industry-standard pull-up/pull-down rates for film/video - Two 9-pin ports that for dual device control with MachineControl option in master or remote slave mode |
