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Audio Technica 

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Not so known in Europe, in America Audio-Technica mics have been standard in studios for ages. They still offer almost unbelievable price-to-performance ratio, beating established European mics costing many time more.

AT 4050

Audio Technica AT 4050
With three switchable patterns, the large-diaphragm Audio-Technica AT4050SM exhibits a remarkable combination of qualities: high-SPL capability with transparent and airy uppers/mids complemented by rich low-end qualities. Its dual large diaphragms are gold-vaporized and aged for consistent, outstanding performance. A precision-machined, nickel-plated brass acoustic element baffle provides rock-solid element stability and exceptional sensitivity. Supplied with AT8449 shockmount. Also available as the AT4050SC with the AT8430 isolation stand clamp. It features a switchable 80 Hz hi-pass filter and 10 dB pad.

Ideal for studio use and live sound productions with vocals (especially female), piano, strings, drum overheads, guitar amps, and more.

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AT 4040

Audio Technica AT 4040
The AT4040SM side-address condenser microphone features an advanced large diaphragm tensioned specifically to provide smooth, natural sonic characteristics. It offers exceptionally low noise, wide dynamic range and high-SPL capability for greatest versatility. Features a switchable 80 Hz hi-pass filter and 10 dB pad.

This ultra-consistent microphone may be used with confidence in a wide variety of studio and live miking applications, even under the stringent demands of digital recording systems. Absolutely great for drum overheads (if you can't yet afford a pair of 4050s). The AT4040SM’s low-noise circuitry is symmetrical and transformerless, resulting in exceptional transient response and clean output signals for transparent reproduction of even the most troublesome of instruments and sound effects. Supplied with AT8449 shock mount.

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AT 4033A

Audio Technica AT 4033A
The classic that made Audio Technica big in states. The AT4033aSM offers low-noise, symmetrical, transformerless circuitry that results in exceptional transient response and clean output signals. A strong up-front presence characterizes the classic sound. The AT4033aSM’s 80Hz high-pass filter easily switches between flat frequency response and a low-end roll-off that diminishes ambient noise and popping with closely-miked vocals.

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