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 Classic Console Strip Pro With URS Classic Console Strip you can create your dream console choosing your favorite algorithms from the Input Stage, Compressor and EQ selections. This modern concept allows the engineer to create hundreds of custom console starting points from the almost never ending palette of input stages, compressor/limiter and EQ choices all with near zero latency and full 48 bit Double Precision Processing. Selectable Input Stage Algorithms digitally recreate the sound and characteristics of classic input stages to add warmth. The Input Stage Intensity control adjusts the Input Stage affect from 0-200% Features - 30 Selectable Input Stage Algorithms - 60 Selectable Channel Compressor/ Limiter starting points - Pre or Post EQ - 5 Selectable EQ Algorithms for each Fully Sweepable Parametric band - Channel Filters - Pre or Post Compressor or Sidechainable - Powerful De-esser and other included special effects - Interactive Signal Flow Display Section follows the signal path - Super DSP efficient URS Classic Console Strip version included more info
URS 1970 & 1980 Classic Console Compressor Limiters The URS 1970 Classic Console Compressors digitally recreates a popular 1970's British Console Buss Comprerssor Limiter with transformer input and diode bridge gain reduction amplifier characterics. The URS 1980 Classic Console Compressor features digital recreation of the IC input and voltage controlled gain reduction amplifier (VCA) characteristics. Features - Hi Resolution 48-bit TDM and 64-bit RTAS "Double Precision" processing for increased clarity, headroom and unparalleled gain reduction. Hi Resolution "Double Precision" processing helps to avoid internal clipping in the Digital Domain. - The Compressor and Limiter sections are totally independent of each other. Both feature separate variable Attack, Release and Threshold controls. - The Internal Side Chain High and Low Pass Filters fine tune how narrow or "Broad Band" the URS Classic Console Compressor will affect the program material. Both Filters completely overlap to dial in problem frequencies. - The Listen Key is after the Filters section. The Listen Key allows you to monitor the signal being sent to the Gain Reduction detection circuit.  The URS Classic Console Compressors signal flow inserts the Gain Makeup control before the final Limiter. This is the secret to how hard you can hit the final "Brick Wall" Limiter. The URS Classic Console Compressors utilize Feed-back gain sensing. Feed-back gain sensing gives Compression and Limiting a servo type of control. See the detailed signal flow diagram below. Two different URS Classic Console Compressor plug-ins are included in the two bundles. Both 1970 & 1980 versions includes : • Compressor/ Limiter / Side Chain version • Compressor only version The Compressor /Limiter / Side chain version has a "Brick Wall Limiter to smooth out the most difficult musical tracks and is well suited for Drum Sub Groups, Aux sends (TDM versions) and especially on the Mix Bus. The Compressor only version is 3x more DSP efficient and is very well suited on general instruments, such as vocals, guitars, bass and individual drums. It will act as a Limiter when the ratio is set at 10:1 and above. more info
URS A series Classic Console Equalizer Digitally recreates the sound of API's 550B vintage Four Band Equalizer. The URS Classic Console Equalizers use Hi Resolution 48 bit "Double Precision" processing for increased clarity and headroom. Hi Resolution 48 bit "Double Precision" processing helps to avoid internal clipping in the Digital Domain. The URS A series is a Class AB classic in every sense of the word. Each band offers 7 switchable filter frequencies spanning 4 to 5 octaves. The URS A series is unlike any other equalizer you will ever use. Many EQ’s today offer a huge assortment of complex features, but the URS A series provides the engineer with just what is needed. The four bands overlap for track sweetening or specific problem solving. The low and high bands are selectable peak or shelving. more info
URS A-MIX EQ Classic Console Mix Equalizer Digitally recreates the classic analog mixing console sound with powerful new features. Designed for Avid's ICON console, the URS A-MIX EQ aligns perfectly with D-Control's master section EQ plug-in control panel. Additionally all of the URS A-MIX EQ parameters map logically to all of Avid's other control surfaces including: ProControl, Control|24, Command|8 and Digi 002. The URS Classic Console Equalizers use Hi Resolution 48 bit "Double Precision" processing for increased clarity and headroom. Hi Resolution 48 bit "Double Precision" processing helps to avoid internal clipping in the Digital Domain. The URS A-MIX EQ is a seven band equalizer. It features five bands of fully parametric EQ plus High and Low Pass filters with variable slope. Each band offers overlapping frequencies spanning 4 to 5 octaves. The MIX EQ series of plug-ins are our most advanced Pro Tools plug-ins. There has never been analog sounding console equalizers with this much control. The five bands overlap for track sweetening or specific problem solving. The low and high bands are Shelving or Peak for that tight low end and smooth high end. Input and output metering and line level trims for complete gain staging. The Numeric display windows show current settings for all parameters. more info
URS N series Classic Console Equalizer Digitally recreates the sound of of Neve's 1084 vintage Five Band Equalizer (3 bands plus HP/LP Filters). The URS Classic Console Equalizers use Hi Resolution 48 bit "Double Precision" processing for increased clarity and headroom. Hi Resolution 48 bit "Double Precision" processing helps to avoid internal clipping in the Digital Domain. The URS N series equalizer is very broad banded and musical. It is a must have tool for recording and sweetening drums and bass. It has a hi-pass filter with four frequencies- 45Hz, 70Hz, 160Hz and 360Hz. It has a lo-pass filter with five frequencies- 6kHz, 8kHz, 10kHz, 14kHz and 18kHz. The low end of this equalizer is so tight that you can boost 220Hz and not muddy up the sound. The mid band has six frequencies- 350Hz, 700Hz, 1.6kHz, 3.2kHz, 4.8kHz and 7.2kHz. The "Hi-Q" button on the mid band selects a narrower bandwidth. The high band is shelving and is selectable with three frequencies- 10kHz, 12kHz and 16kHz. It is smooth and silky and a little goes a long way. more info
URS N-MIX EQ Classic Console Mix Equalizer Digitally recreates the classic analog mixing console sound with powerful new features. Designed for Avid's ICON console, the URS N-MIX EQ aligns perfectly with D-Control's master section EQ plug-in control panel All of the URS N-MIX EQ parameters map logically to all of Avid's other control surfaces including: ProControl, Control|24, Command|8 and Digi 002. The URS Classic Console Equalizers use Hi Resolution 48 bit "Double Precision" processing for increased clarity and headroom. Hi Resolution 48 bit "Double Precision" processing helps to avoid internal clipping in the Digital Domain. The URS N-MIX EQ is a seven band equalizer. It features five bands of fully parametric EQ plus High and Low Pass filters with variable slope. Each band offers overlapping frequencies spanning 4 to 5 octaves. The MIX EQ series of plug-ins are our most advanced Pro Tools plug-ins. There has never been analog sounding console equalizers with this much control. The five bands overlap for track sweetening or specific problem solving. The low and high bands are Shelving or Peak for that tight low end and smooth high end. Input and output metering and line level trims for complete gain staging. The Numeric display windows show current settings for all parameters. more info
URS S series Classic Console Mix Equalizer Digitally recreates the classic sound of a famous mixing console equalizer! The S series equalizer is the most advanced console style equalizer plug-in we've ever made. The URS Classic Console Equalizers use Hi Resolution 48 bit "Double Precision" processing for increased clarity and headroom. Hi Resolution 48 bit "Double Precision" processing helps to avoid internal clipping in the Digital Domain. The URS S series is a six band equalizer with four bands of EQ and Low and High pass filters. Each band offers overlapping frequencies spanning 4 to 5 octaves. The URS S series is our ultimate Pro Tools mix equalizer tool with mastering accuracy and control features. The four bands overlap for track sweetening or specific problem solving. The low and high bands are switchable Shelf or Bell for that tight low end and smooth high end. Input and output metering and line level trims for complete gain staging. The Numeric display windows show you all current settings for Gain, Frequency and Q and Input and Output levels. more info
URS S-MIX EQ Classic Console Mix Equalizer Digitally recreates the classic analog mixing console sound with powerful new features. Designed for Avid's ICON console, the URS S-MIX EQ aligns perfectly with D-Control's master section EQ plug-in control panel All of the URS S-MIX EQ parameters map logically to all of Avid's other control surfaces including: ProControl, Control|24, Command|8 and Digi 002. The URS Classic Console Equalizers use Hi Resolution 48 bit "Double Precision" processing for increased clarity and headroom. Hi Resolution 48 bit "Double Precision" processing helps to avoid internal clipping in the Digital Domain. The URS S-MIX EQ is a seven band equalizer. It features five bands of fully parametric EQ plus High and Low Pass filters with variable slope. Each band offers overlapping frequencies spanning 4 to 5 octaves. The MIX EQ series of plug-ins are our most advanced Pro Tools plug-ins. There has never been analog sounding console equalizers with this much control. The five bands overlap for track sweetening or specific problem solving. The low and high bands are Shelving or Peak for that tight low end and smooth high end. Input and output metering and line level trims for complete gain staging. The Numeric display windows show current settings for all parameters. more info
URS BLT Program EQ The URS BLT is a two band Program Equalizer. We've selected our favorite FullTec bass and treble curves for quick track or mix sweetening. You could say the BLT is the FullTec's 'Lil Brother. Just add a little BLT for taste. URS BLT EQ features: - One band of bass shevling fixed at 100hz with boost and attenuation. - A level control with boost and attenuation to adjust the right amount loudness. - One band of treble shelving fixed at 5kz with boost and attenuation. BLT User Tips Use the URS BLT as a front end for your Reverb plug-ins. You will notice the difference with a little bass boost and treble boost. Use the URS BLT as a Digirack "Trim" plug-in replacement. The BLT uses about the same DSP and offers a phase control and quick analog sweetening. The URS Classic Console Equalizers use Hi Resolution 48 bit "Double Precision" processing for increased clarity and headroom. Hi Resolution 48 bit "Double Precision" processing helps to avoid internal clipping in the Digital Domain. The URS BLT EQ produces a big bottom end with smooth top end. It was created as a low priced entry-level URS EQ plug-in but the URS BLT turned out to be a fun tool for engineers to quickly shape a track or mix with almost no DSP usage. "Sometimes all you need is a little BLT" - Chris Lord Alge more info
URS FullTec Five Band Program Equalizer The URS FullTec is a five band Program Equalizer. It is our Super Program EQ concept. The URS Classic Console Equalizers use Hi Resolution 48 bit "Double Precision" processing for increased clarity and headroom. Hi Resolution 48 bit "Double Precision" processing helps to avoid internal clipping in the Digital Domain. The URS FullTec EQ features: One band that digitally recreates the Pulteq EQP-1's low frequency shelving with simultaneous boost and attenuation. Three bands of peak equalization that digitally recreates the midrange boost and attenuation of the Pultec MEQ-5 and the high frequency boost of the Pultec EQP-1a. Each peak EQ band has it's own bandwidth Q control. The fifth band features high frequency shelving with simultaneous boost and attenuation . The URS FullTec EQ produces lush bottom end with smooth midrange and top end. The five bands overlap for a wide range of subtle and powerful changes. We feel the FullTec is the greatest Mix Buss Equalizer we have ever made and it is also killer on individual mono tracks. more info
URS A10 series: Classic Console 10 Band Equalizer Digitally recreates the classic sound of API's 560B vintage Ten Band Equalizer. The URS Classic Console Equalizers use Hi Resolution 48 bit "Double Precision" processing for increased clarity and headroom. Hi Resolution 48 bit "Double Precision" processing helps to avoid internal clipping in the Digital Domain. The URS A10 is our easiest equalizer to operate. It combines vintage sound with modern features. The Ten Bands are spread over four octaves. Getting the right EQ with the URS A10 series is fast! The URS A10 series provides the engineer with ten bands of EQ for quick adjustments for track sweetening or specific problem solving. more info
URS N12 series: Classic Console 12 Band Equalizer Digitally recreates the classic sound of Neve's 1073 vintage equalizer as a Twelve Band Graphic. A URS First! The URS Classic Console Equalizers use Hi Resolution 48 bit "Double Precision" processing for increased clarity and headroom. Hi Resolution 48 bit "Double Precision" processing helps to avoid internal clipping in the Digital Domain. The URS N12 is our easiest equalizer to operate. It combines vintage sound with modern features. The Twelve Bands are spread over four octaves. Getting the right EQ with the URS N12 series is fast! The URS N12 series provides the engineer with twelve bands of EQ for quick adjustments for track sweetening or specific problem solving. more info |
